Last Updated on February 19, 2023
When I started writing fiction (having spent years concentrating on non-fiction) I knew that romance was the genre I wanted to focus on. Books about boy A meeting girl B and (after obstacles 1, 2, and 3 have been conquered and boy C negated) falling in love* have always appealed to me. Most modern romantic fiction contains an element of humour, and the reason is obvious: falling in love can be one of the funniest things that ever happens to us, but I’ve been wondering if I can push that point a little further.
It would be foolish of me to declare that romantic fiction favours gentle humour, but it does appear to lean more towards the gentile and subtle, which is no less valid (and is ultimately more intelligent for both writer and reader), but is sometimes a bit sedate for my taste.
So when I started plotting my current work in progress I decided to push my luck when it came to pitching the humour. I made the decision that while my new book wouldn’t be a ‘whoopsie daisy missus, the vicar has come on my crumpets’ affair, it would contain a strong element of the ridiculous. I’m now roughly halfway through my first draft and last night I read a passage out loud to my (very tolerant) wife, to which she replied,
“You’re not writing farce are you?” To which I quietly mumbled, “I hope not…”
But why not? Is farce without value? When does comedy become farcical? How do we know when we’ve crossed the thin line between what is funny and what is too daft to be easily digested? You tell me…
*Heinously simplistic I know, please accept my apologies!